If my moniker doesn’t give it away, I’m a huge fan of
movies, all kinds of movies. I don’t just love watching movies, I love learning
about them, the processes, the mindsets, and even what movies mean to people.
This last element is especially important because the movies that a person
enjoys is an indicator of an individual’s identity, as most art tends to do.
Yet as we see in Life, Animated, a documentary now in theaters, movies can also
play a larger part in a person’s life, especially when their mental facilities
are inflicted by trauma. In Owen Suskind’s case, it was autism at the age of
three that left him unable to speak or communicate to his family for years. Yet
it would be his deep love of Disney animated films that he found the ability to
communicate again and helped him connect to others as well.
This film, directed by Roger Ross Williams, goes through the
long fight that the Suskind family had to deal with in order to get their son
back and help him to find his independence. It also allows Owen to express
himself through watching Disney films as we see him connect to films like
Aladdin and The Hunchback of Notre Dame. These scenes, especially in the case
of Hunchback, are very poignant as it relates to an event being discussed. It
also uses art to recreate events and in several scenes, animates a story
written by Owen himself that gives us perhaps a more detailed look at how Owen
sees the world.
Now most of this could be whittled down to a very powerful
half-hour short documentary, but what really sets this documentary in a
powerful direction is the present-day setting and the questions that come along
with it. During filming, Owen is graduating high school and is looking forward
to a new independent lifestyle coming afterwards. The film shows the genuine
worry of his parents, who are slightly older than average, along with his older
brother, who in one of the most powerful scenes in the film, expresses genuine
concern about his ability to take care of his brother in their place. This is a
rare documentary that leaves the audience genuinely curious as to what will
happen later to Owen, who is desperately trying to carve an independent life
for himself.
The film’s pros come from being a compelling subject and a
catchy premise. It also uses drawings and animation in a way to express Owen’s
perspective on things and make the subject of autism more relatable. The cons,
by contrast, come from using some slight emotional manipulation which was not
needed, not to mention that the film doesn’t ask questions that should’ve
seemed elementary, such as whether or not he found any emotional relationship
to non-Disney animation, which we see he does own. This is peculiar because the
film itself wasn’t released by Disney but uses a great deal of animated clips
from the films and only specific titles. After watching the film, I found
myself asking even more questions that I would never get answers to.
For the final word on Life Animated, this is a solid SEE IT,
especially if you enjoy documentaries. It’s not one of the best films of the
year, but it’s well-told and engaging, not to mention Owen Suskind will win
your heart easy.
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